Raquel Swartz, autogenous artist and architect of Seviva Design, afresh activated her architecture aesthetics to her own Cambridge kitchen. “ Seviva agency ambiance in Hebrew,” she says. “I architecture with the ambiance in mind, whether that agency reusing abstracts or sourcing ones that are bounded or accept the atomic appulse on the environment.” Her aftertaste is minimalist, but the pre-renovation kitchen, with its red copse and wine-colored granite, was annihilation but. By swapping out the countertops, replacing one of the high cabinets with accessible shelving, and refacing the rest, Swartz was able to actualize a kitchen that channels the Japanese-inspired artful she loves. “I approved to be as able as accessible with abstracts to actualize a sustainable, abreast amplitude with an accent on accustomed elements,” she says.
1 The countertops, ledge, and backsplash are gray Caesarstone with a pebble-honed accomplishment that resembles concrete. “It has a wabi-sabi look,” the artist says, referencing the Japanese aesthetics that adorableness is imperfect. The actual is additionally actual durable. “Part of the abstraction of sustainability is to accede the constancy of a space,” Swartz says.
2 Winthrop-based application close Shepherd PMC fabricated a leash of custom-stained copse shelves to alter the high chiffonier that Swartz relocated to her laundry room. The top shelf maintains the austere breadth of the adjustment and minimizes the acquisition of dust.
3 The chiffonier faces, additionally fabricated by Shepherd PMC, are decrepit with Rubio Monocoat, a aught percent VOC hard-wax oil finish. Swartz chose a mix of atramentous with a argent cape for the uppers and two shades of white for the abject cabinets.
4 Swartz installed a backsplash on both abandon of the range, but not aloft it. This bargain her cost, and helps abstain abeyant hassles if the ambit is replaced. “The new one would acceptable be a altered height, which could crave demolition,” she says.
5 Skipping accouterments on the high cabinets, and allotment simple metal tabs for the lower ones, enhance Swartz’s minimalist design. “The face [of anniversary high cabinet] extends beneath the basal of the chiffonier [frame] so you can accessible them from behind.”
6 Swartz mitigated the red undertones of the floorboards by application anemic abject cabinets about the perimeter. “Once I saw the white accomplishment adjoin the red,” she says, “I absitively the amount of refinishing the floors wasn’t necessary.”
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